longlasting: (so's you know I can go with the flow)
[personal profile] longlasting posting in [community profile] castle_perrault
Adam Brooks is one for following the rules.

Not the inherent rules set out by law enforcement and people he is far above, no. Those are all based on an unwavering idea of morality that Adam refuses to see as productive. No, he's one for following the rules his mind has constructed in order to further himself towards a goal. These are rules that are based on his observations of the world around him, ones that make sense and help him make sense to others.

The rules help him look like a normal person. They're honestly quite helpful in a place like this, where Adam doubts his appearance would be taken well. Barnaby certainly hadn't taken it well, but Adam couldn't imagine any scenario where he would. It's not everyday your brother comes back from the dead, after all. That is, regrettably, a rule Adam has had to break.

But other rules have been easier to follow. They remind him to remove Barnaby's clothes so he can wear them as a disguise, without anyone asking about any regrettable blood stains. They remind him to walk like his brother and talk like him instead of screaming for revenge. He is cautious and careful.

Kotetsu will be found first. He needs to check on him and gain his trust immediately, so that he has someone to back him up. To laugh off his strangeness towards other prisoners in this strange castle as social ineptitude. Toshi will be found afterwards, with Kotetsu still at his side. He doubts his disobedient slave will rebel for a second with Kotetsu already in his grip. He'll be sweet and kind to both of them, just as Barnaby would. Follow the rules. Soon enough his opportunity will come to strike.

So those who are around the hallways may see someone very much like Barnaby walking over to his room, straightening his clothes before peering inside in his search for Kotetsu.

After his reunion with his dearest partner and the android made in his image, 'Barnaby' will be all over the castle. He adores the library as much as he always has, and seems to have picked up cocking as well. He is deliberately careful to stay quiet and calm, so only those with a sharp eye will notice anything strange. For example, that bunch of berries from the garden can't be used as an ingredient in his soup, right? They're poisonous... Some may find it odd to find him coming out of the armoury with a crossbow, or practicing violin in the music room.

Or perhaps you may catch him wandering up the stairs leading down to the basement late at night. What would he be doing down there? Surely it's not a bad thing to ask.

((Okay, let's see if I can get this asshole to cooperate with me this time! Adam Brooks is impersonating his brother, Barnaby, and will be friendly to most everyone he runs into, if a little forgetful. Should anyone notice his odd behaviour, though, he may be forced to do something not so nice... so a trigger warning for possible character mutilation and death in here, as well as psychological mindfuckery which happens with a character like Adam. Should you not want him to tag you, please message this account to let me know!))

i am ready for hell

Date: 2017-05-04 02:12 am (UTC)
itstheend: this is happening (oh)
From: [personal profile] itstheend
Chara has been sparing Barnaby their presence. Just because one interaction went... some level of well, does not mean they should push their luck - they peg most of such on Frisk's presence.

So when they walk into the kitchen, they are fully prepared to just turn around and leave again as soon as they spot the golden lengths of hair. What stops them is a natural flash of their gaze to the movement of his hands, and a stilling.

They immediately doubt their judgement as they think it but... they are fairly sure those berries are nightshade. They look just like the illustrations. Had they not been from the Castle, it's doubtful Chara would have recognized them as poisonous, but with their interest, they had been looking up plants that caught their eye while gardening.

*We can't just leave!

They very much can. It's incredibly within their capabilities. They could walk out without a word, and leave him to poison himself as he pleased.

Instead, they clear their throat, back already straightened and hands clasped in front - look, no weapon. "Barnaby." They're trying not to block the door while staying close to it, which is a mild puzzle. "A moment of your time."
Edited (typooo) Date: 2017-05-04 02:14 am (UTC)

awww yeah

Date: 2017-05-10 02:03 am (UTC)
itstheend: air (hh hhh)
From: [personal profile] itstheend
Unarmed, in the sense of not currently wielding anything. They do, however, have a pointed stick stuck in their belt-loop, and two knives hidden on their person. They're not stupid, but mostly, they just weren't expecting to find him here. It's their standard arsenal.

He's utterly at ease, pitch perfect polite, and that's what gives them pause. His utter lack of unease is setting up some within themself, although they keep it hidden behind their own prim and proper expression. They can't pinpoint precisely why things feel just a tad off kilter - like they walked into an automatic door expecting it to open and smacked into it.

Still, if he's calm with their presence, that's a plus. Isn't it? They breathe out.

"Perhaps it has escaped your notice, but those berries are poisonous." An old urge suddenly frantically fights to tack on a 'sir' at the end, and they strangle it with gritted teeth, head tipping up just a bit, tone dry. "I would recommend removing them from the recipe."

(no subject)

Date: 2017-05-11 05:06 am (UTC)
itstheend: this is happening (oh)
From: [personal profile] itstheend
Chara is completely unaware the SPARE button is being leaned on this encounter, so to speak. Their name hasn't turned yellow yet. They still see themself as the danger in this equation in a lot of ways - Barnaby's time as a puppet has left a strong mark, even if logically they know he is not that way any more, and hasn't been for a while.

Everything seems to go well. And then there's... an absence. A missed beat. A sound not heard until it stops, and then you can't recall the sound. Something is off. What is?

Frisk is suddenly equally as ill at ease, and it percolates, amplified as it seeps between sides. Realization is abrupt, and it's difficult to tell whose it is - he picked them up, but he hasn't thrown them away. Hasn't made a move to. Just acknowledgement, and dismissal.

It's silly. It's stupid. It's such a little thing to focus on. So why is it eating up all of the attention? Maybe it's a fuss over nothing, although there's something in the pit of their gut...

On impulse, Chara speaks. Is it Chara? Is it someone else?

"Before I leave, may I have them? I have read that they can make a good dye, despite their inedibility." This is a complete lie, they have no idea, but it would stand to reason, wouldn't it, that they might stain like other berries?

A good die. Haha.
itstheend: ya really (oh really)
From: [personal profile] itstheend
...they didn't exactly think this through, because that requires getting closer. Right. Well. Okay. Right. They're not going to change their mind on this. They square their shoulders and step forward into the kitchen, taking the berries without touching his fingers and stowing them in their sleeve while stepping back to a distance closer to the door than him.

"Since when am I anything but the epitome of caution?"

The statement is accompanied by a birdlike twist of the head. The tone is more sharp and dry as desert sand than the playful it might have been with someone they knew better - but it carries the wryness of reference to the puppetry incident. No, Chara isn't careful, at all, not as much as they should be. Maybe red and yellow make orange.

He can always find other poisons, if poison was his intent, the oddities of the situation crystallising into a thought. In their brief meetings, he struck neither Chara or Frisk as the type to poison others, however (then again, how can anyone be sure anyone is as they seem?) Perhaps the effort of going out and getting more might be a little more time to consider. Especially if a short child has harvested the rest for their 'project'.

He could find things other than poisons, too, easily. Kitchens have a lot of sharp things in them. But he chose poison, and probably for a reason.

"You're too kind."

The words are sardonic, but there's a grain of truth to them. He really is, from what they've seen.

thank god

Date: 2017-05-27 09:26 am (UTC)
itstheend: in a land of wild dissociation (come with me and you'll be)
From: [personal profile] itstheend
Much as Chara tries to lock everything down, to present a pristine, ineffable facade, they are not as good as it as they think, cracks running up and down it. They pride themself on an ability to detect threat, but are not aware that anything of what they'd consider weakness has been getting picked up - at least in terms of their discomfort. They left themself open with that self-deprecation, and know it. A withered olive branch, acknowledged, and they laugh shortly at the answer. Not exactly a joke, but far more funny than it should be.

All the same, they don't flinch when the next statement lashes out - lashes even being the wrong word. Settled down gently in the air between them, and allowed to seep into those cracks like poison. Instead they close off, a tight-lipped smile in return twitching to life on their face and arms folding behind their back.

"It never does," they say with the offhandedness of someone having the soft parts of their thoughts tucked away. It never does - there is no amount of kindness that can erase the past, and resetting is not a kindness. On the part of the wronged, and the wronger. There's a self-vindictive satisfaction at the pain of it, a sort of relief at the other shoe dropping, at that hidden-hooked barb, no matter how small.

The risk pays off. Chara was not intending to stay after their goal had been completed, could perhaps have been coaxed to, and now is fully invested in sparing him their presence.

"If you have no more berries, then I shall take my leave." And leaves, perhaps, but they are not in a punning mood. They're eager to try their project is the surface projected layer in tone. They take a step back, going for casual, a confirmation of intent.

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